Tuesday, October 21, 2014

Field Journal 4: When Art Threatens Politics

Boss Tweed and the Tweed Ring by Thomas Nast. 1871.
             Before Thomas Nast used political cartoons to direct America’s attention to social and political injustices between 1869 and 1871, William “Boss” Tweed, leader of Tammany Hall, was extorting millions from the city of New York for a decade.  

New York City experienced an influx of two million immigrants from southern and eastern Europe, so slums were built to provide them homes. Ideally, the slums were built as temporary homes and the immigrants would move out of the city and the state, but New York continued to grow and remain crowded. Originally, Tammany Hall was an organization created with intentions of helping these immigrants with food, clothing, and jobs.  

When Tweed joined the organization, Tammany Hall changed and became a political machine, an organization that gave social and services in exchange for votes. Political machines main goals were to get their own members into official spots in city government and then use corruption to make leaders of the organization wealthy. Tweed had already established himself by doing charity work as fireman, so it was easy for him to rise into power in Tammany Hall. Immigrants were sent out on election day and Tweed was voted as city alderman in 1851. The following year he was elected into the U.S. House of Reps.

Elected into office, Tweed constantly bribed officials and bought votes to bring his men into office. Soon New York City (NYC) was run by a corruption ring who exploited immigrants, businesses, and workers. The mayor of NYC was simply a puppet while Tweed and his men pulled the strings. Laws and legislation was passed to prevent anyone else outside of Tweed and his “Tweed Ring” from opposing how much money was spent on the city. With an increase of inhabitants and more damaged or worn out public goods, NYC had a lot of repair. Tweed decided to create his own companies and forced the city to hire them. As a result, the amount of money being spent was all sent to Tweed and his ring. Police, judges and journalists couldn’t confront Tweed because they were either bribed or intimidated to speak up. Votes were still pouring in to keep him in office since Irish, Dutch, and Scottish gangs were loyal to Tweed threatened anyone who voted otherwise.

The amount Tweed stole from the city is unclear as it ranges from $25 million to $45 million to even a hefty sum of $200 million.   

After being praised by President Lincoln for his Civil War drawings, Nast created symbols such as the Republican elephant and the Democratic Donkey to illustrate his messages more clearly and directly to his audience. Harper’s Weekly was widely read as publication of the journal increased and prices decreased, making it attainable for the middle-class.  
         
Using his influence, Nast broke out of the silence and brought attention to Tweed by portraying him as a “thief, a convict or an enormous glutton.” Tweed tried to silence Harper’s Weekly and Nast with money, but they both refused and continued to run the political cartoons. As a member of the Democratic Party, Tweed was bringing in unnecessary press and damaging the party’s reputation; members wanted him and the Tweed Ring out of office. After his arrest, Tweed managed to escape prison and fled to Cuba then Spain. How was he recaptured? Someone recognized Tweed from one of Nast’s cartoons.

As Tweed said, voters didn't bother to read but it doesn't take a long time to read a cartoon. Tweed feared the power and influence of the political cartoon and it ultimately brought him to his arrest. Political cartoons and the symbols created by Nast still continue to be relevant in print and online. Art and entertainment, which has previously been reserved for the rich, has throughout the years to reach everyone. But how much of influence does art and entertainment still has over politics to this day?
 
Left: Fey Right: Palin
During the 2012 presidential elections, Tina Fey of SNL did multiple impersonations of Sarah Palin. While SNL is based on satire, many people don't spend their time watching actual interviews of the presidential and vice president nominees and choose to get their intake of politics from entertainment. A political science professor of University of Missouri agrees, "The perception is that there’s an audience that cites its primary news source as predominantly entertainment shows and, if valid, this certainly would have an impact on the presidential election." Tina Fey's most memorable line while impersonating Palin was, "I could see Russia from my house!" and many people thought it was actually Palin making the statement. My economics and government teacher from high school is baffled how many people actually mistakened the comedienne as the politician and has repeatedly tried to correct his friends and colleagues. Though many people do or don't believe my teacher, it was already clear: entertainment has damaged the reputations of Palin and a long list of politicians who are portrayed as "uncool", "lame", "clumsy" (Chevy Chase, anyone?), or just downright unintelligent. While the entertainment industry continued to mock her, a study revealed that younger viewers thought Palin wasn't suitable to be V.P. 

          Now politics have to keep up a good image on screen for the press and for late night comedy shows like the Daily Show with Jon Stewart for the sake of making a good impression on young adults and everyone else who is easily swayed by the media. From the past to the present, art and entertainment  proves to be a double ended sword for the world of politics and remains to be influential in society.  

Sources: 
http://www.fasttrackteaching.com/burns/Unit_4_Cities/U4_Tammany_Hall_NYC.html
http://agilewriter.com/Biography/BossTweed.htm
http://www.gothamgazette.com/index.php/government/2878-boss-tweed
http://www.psmag.com/navigation/politics-and-law/was-sarah-palins-image-hurt-by-tina-fey-you-betcha-40288/
http://www.huffingtonpost.com/2012/09/21/saturday-night-live-political-skits_n_1901761.html

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